\”_**Unique, beautiful Western with excellent score, but gaping holes in the story**_ Released in 2000, "All the Pretty Horses" stars Matt Damon and Henry Thomas as two West Texas cowboys, John Grady Cole and Lacey Rawlins, who are weary of all the fenced-in land in 1949 and so head to Mexico for freer pastures. There they meet up with a foolish juvenile (Lucas Black) before coming to a huge ranch where Penelope Cruze plays the owner's daughter, Alejandra. Unfortunately, unexpected problems surface. Miriam Colon plays the girl's staunch aunt and ranch matriarch while Sam Shepard and Bruce Dern have (very) small roles. Billy Bob Thornton directed the movie based on Cormac McCarthy's novel and the original runtime was said to be around 3 hours and 12 minutes, but was cut at the insistence of distributer Harvey Weinstein to a mere 117 minutes (!). Similar circumstances forced Marlon Brando to cut his sole directed movie, 1961's "One-Eyed Jacks," from 5 hours to half that time and it turned out to be a Western masterpiece, but "All the Pretty Horses" was cut TOO much. Even an additional 20 minutes would've helped immeasurably. As it is, there are gaping holes in the story. For instance, there is little build-up to Cole's love affair with Alejandra. "The Horse Whisperer" (1998), by contrast, is an excellent example of proper romantic build-up. Other questions abound: What did Alejandra experience in her life that made her brazenly risk her honor? What (specifically) was the source of her deep contempt for her aunt, who seemed to be just looking out for her? Why does Alejandra's father stay on close terms with Cole even AFTER it's discovered he (supposedly) lied to him? What led up to Rawlins' suicidal confrontation with a prison heavy and the same with Cole's deadly tassel? Also, it's subtly revealed that Cole, Rawlins and Blevins (the kid) have very different views of the world, but they're never fleshed out. The original Director's Cut has been called a masterpiece by those who've seen it, and a release of it has been looked into, but the original composer, Daniel Lanois, steadfastly refused to license his score (which, unusually, he owns) to any release of the film. If they can't work it out, then why not just use the excellent score by Marty Stuart, which is the one used in the cut-down theatrical/DVD version? As far as locations go, it's great to have a Western actually shot in West Texas rather than supposedly taking place in Texas, but being shot in Arizona, etc. It was equally shot in New Mexico. Although "All the Pretty Horses" has a severely troubled post-production history, it's still worth catching DESPITE the holes in the story. It has magnificent cinematography and locations, formidable actors (Damon is perfect as the humble, respectable protagonist), a magnificent score/soundtrack, an epic tone and an unpredictable story. In short, it's a unique Western that not everyone's going to like because uniqueness polarizes opinion. It's not great simply because it was butchered in post-production, but it's still a quality film and, in many ways, a pleasure to behold. Some criticize it as soporific and that's true in the sense that it's not a rollicking Western, like 2001's "American Outlaws," which plays like "Indiana Jones goes West." "All the Pretty Horses," by contrast, is a realistic Western drama with the tone of the aforementioned "Horse Whisperer," but with periodic actions sequences. It's a refreshing change from the typical in-your-face, loud, CGI-laden, foul-mouthed, unreal movies we have constantly rammed at us; and, again, the music's great. GRADE: B-”

Wuchak